Category: Announcements (Page 1 of 4)

Poetry Contest 2021 Winners

Sweet is pleased to announce the winning poem of the 2021 Poetry Contest, along with two runners up and eight finalist poems.

Judge Laura Donnelly selected the poem “Before school there are icicles” by Meghan Sterling from a field of eleven finalist poems chosen by Sweet Lit poetry editors. Donnelly also singled out “Prey Drive” by Anna Chotlos and “Just the Daily Turn” by Cathlin Noonan as runners up. You may read the judge’s comments on these three poems in the special poetry contest issue of Sweet Lit, which will go up some time this summer. All finalists will be offered publication in the special poetry contest issue of Sweet Lit.

FINALISTS:

“With Any Luck” by Angela Just

“If The Wound Is How the Light Enters You, How Do You Heal?” by Anna Chotlos

“Post-Menopausal Love Poem That Begins with Guilt and Ends with Air Plants” by Jen Karetnick

“The Customs of Grief” by Karen Craigo

“I Wanted My Mother to Say to Me as She Lay Dying” by Natalie Marino

“Bound to Repeat It” by Connie Post

“That’s Right It Starts with an Earthquake” by Michele Parker Randall

“A Walk After Being Let Go” by Meghan Sterling

Asian Solidarity – Special Issue

A large part of Sweet’s mission is to create a space for writers of marginalized communities. The mass shooting in Atlanta that killed 8 people–6 women of Asian descent–is a tragic reminder of the increase in hate crimes against Asians and Asian Americans over the past year. According to the Center for the Study of Hate and Extremism, hate crimes against Asian Americans increased 149% from 2019-2020. 

Everything about this breaks our hearts. This country continually breaks our hearts. But Sweet believes in the power of art, the power of words, the power to heal in the face of systems that seek to exclude, exile, and terminate. 

Sweet Lit is opening up submissions for a special issue on Asian Solidarity during the month of May. Please send your poems, short essays (300-1000) words, your in-betweens, your comics, your video and photo essays, your playlists, your rants here:

Poetry

Creative Nonfiction

Nonfiction Graphics and Misc

If you’re not sure which category your piece fits into, please just select one that seems closest. Our editors will confer and reassign as needed. As always, Sweet doesn’t charge submission fees or subscriptions fees so that we may all be a part of something Sweeter.

 

A Little Gratitude

Sweet has received some generous donations during the month of February, and we want to send a special shout out to those folks whose donations will help pay judges, website fees, and more. We remain fee-free for regular submissions, so our small operating budget comes primarily from donations, contest entries, and fundraising—which is difficult to do during the pandemic. Thank you for anything you can give to help us continue to support beautiful writing and foster literary community.

Thank you for supporting sweet
Even the smallest contribution can make the largest impact.
Sweet Donate

Flash Contest Results 2020

We’re thrilled to announce “The Suicide Hotline Voice Says My Feelings are Normal” by Lisa K. Buchanan is the winner of our Flash Essay Contest judged by Brenda Miller. Thank you to all of the wonderful writers who entered our contest!

On “The Suicide Hotline Voice Says My Feelings are Normal,” Brenda Miller said:

“‘The Suicide Hotline Voice Says My Feelings are Normal’ is a remarkable essay. Shocking, is the word I might use: shocking in the incident it describes, shocking in its vivid imagery, shocking in the way we travel through time in this compressed space. We inhabit this essay with the author, floating with her as we try to fully comprehend what we’ve seen, and wonder how we’ll keep living now.”

RUNNERS UP:
Anneli Matheson, “A Wander Down Dried Seafood Street”
Brent House, “In View”

FINALISTS:
Laurie Uttich, “It’s Friday Afternoon in a Florida Penitentiary”
Jane Satterfield, “Scirroco”

The winner and runners up will be published in Sweet Volume 13 Issue 3.

Poetry Contest

Poetry Contest Ad

Our annual poetry contest is now in February! Nothing says “love” more than poetry, so we think this is the perfect month. Send us your poems about love, falling in love, saying goodbye to love, or nothing about love at all! Submission fee is $10 and you can submit up to 5 poems for each entry. But don’t delay, there are only 28 days in this month to get your best poems to us. The winner will receive $500 and all finalists will be published in a special contest edition of Sweet Lit.

For more information, visit our Submittable page.

We encourage and welcome submissions from diverse voices and under-represented
populations, including, but not limited to, people of color, members of the LGBTQ+
community, those with disabilities, and the elderly.

CLMP’s community of independent literary publishers believes that ethical
contests serve our shared goal: to connect writers and readers by publishing
exceptional writing. We believe that intent to act ethically, clarity of guidelines, and
transparency of process form the foundation of an ethical contest. To that end, we
agree to:

1) conduct our contests as ethically as possible and to address any unethical
behavior on the part of our readers, judges, or editors;

2) to provide clear and specific contest guidelines—defining conflict of interest for
all parties involved; and

3) to make the mechanics of our selection process available to the public. This
Code recognizes that different contest models produce different results, but that
each model can be run ethically. We have adopted this Code to reinforce our
integrity and dedication as a publishing community and to ensure that our contests
contribute to a vibrant literary heritage.

Changes are coming

Let’s face it, the pandemic has been tough on all of us. We are all just hanging onto whatever shred of hope we can and we know it’s not over yet. But there is something we can do help the staff of our our little magazine. You all have been amazing with giving us many pieces to consider. So many that our staff can hardly keep up! Starting February 1st, we will close submissions for poetry and CNF. But there is a bigger plan!

  • Our Poetry Contest will now move to the month of February each year.
  • Flash CNF Contest will remain in November.
  • Poetry and CNF submissions will now be accepted April, May, June, and July ONLY.
  • Graphic Submissions will continue to be accepted year round.

Reducing the submission period we hope will allow our editors some respite and a faster response to our contributors. A win-win for all of us!

Thank you for your continued support and being a part of the Sweet family. We hope that you will find our changes favorable for everyone. Stay healthy, friends. Keep writing. Keep submitting.

CNF Submissions

Even as I write this from Tampa, it’s difficult to understand that fall has arrived. But it has. Fall is here. And with fall comes our decision to switch up the submissions process here at Sweet. We are once again opening creative nonfiction submissions, but only for the month of October. From October 1st until October 31st at midnight, we will open creative nonfiction submissions. 

We at Sweet do not ask for submissions fees. We believe in emerging and established writers, and we do not wish for you to pay. We believe in work we can chew, taste, and feel long after we swallow. We believe in work that lingers. We want to see everything from experimental to literary journalism—as long as it’s under 1,500 words. Feed us.

-Lauren, CNF editor

Sweet Lit Poetry Contest 2020 Results

Thanks so much to all the wonderful poets who entered our contest this year! It was a very strong group, and both the editors and the judge remarked on how difficult it was to make final decisions.

WINNER:

KT Herr, “Improv”

KT Herr (she/her) is a queer poet, songwriter, and curious person with work published or forthcoming in Dream Pop, Small Orange, Frontier, Quarter After Eight, and others. KT earned her MFA in Poetry from Sarah Lawrence College, where she was the 2019-20 Thomas Lux Scholar and co-director of the 2020 Sarah Lawrence Poetry Festival. KT was awarded a 2019 Pabst Fellowship from the Atlantic Center for the Arts, and was a semifinalist in the 2020 92Y Discovery Poetry Contest. Her ghost ship is currently anchored in Oak Bluffs, MA, where she teaches poetry workshops and interns for Black Lawrence Press.

RUNNERS UP:

Amy Miller, “Meteor, April 2020” and “Baby”

Leila Sinclaire, “What I Mean”

FINALISTS:

Marcia Alrich, “The Dahlia”

Shevaun Brannigan, “The Men”

Rebekah Miron, “Bird Heart”

Dayna Patterson, “Pied Beauty Redux”

V.S. Ramstack, “a crow living with regret”

Sherre Vernon, “A Descriptive Linguistics of Isolation”

JUDGE: Paige Lewis is the author of Space Struck (Sarabande Books, 2019). Their poems have appeared in Poetry, American Poetry Review, Ploughshares, Best New Poets 2017, Gulf Coast, The Massachusetts Review, The Georgia Review, The Iowa Review, Poetry Northwest, Ninth Letter, and elsewhere. Paige currently lives and teaches in Indiana.

PROCESS: Poetry editors at Sweet Lit narrowed down the submissions to 10 finalist poems, which the judge received stripped of identifying information. The winning poem and some of the finalists will be published in Sweet Lit in the September 2020 and future issues.

Best of Net 2020 Nominations

Sweet Lit is proud to have nominated the following for this year’s Best of Net:

Poetry

And That Darkness” By Douglas Cole

MS Nocturne with Fuse, Crosshairs, and Irreparable Fissure” by Emily Rose Cole

Unison” by Justin Runge

The Taste of Blueberries” by Sandra Yannone

What do I do about the nightmares” by Janet MacFadyen

Joy” by Hannah Marshall

Essays

Brown Girl Learns Her Body” by Loré Yessuff

Autopsy Report” by Peggy Shumaker

Good luck to you all and congratulations for being Sweet’s Best of Net Nominations!

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